OR A CONTEMPORARY TRIBUTE TO THE MEDINA
A playful interpretation of Arab architectural elements distilled through foreign eyes, notably those of the New Zealand architect Bergendy Cooke. This is how the majestic Villa Brummell Majorelle in Marrakech is presented. Inspired by, but not replicating, the architectural richness of this world, the building’s sculptural form pays homage to the ancient ramparts of the medina of the famous red city.
As for its various incisions in this solid, sculptural ochre mass, they come to offer a variety of spatial experiences through scale, light, and shadow. The surrounding gardens use a similar language. Different levels of plantings form private gardens for guests, contrasting with the sculptural form of the building and reinforcing the idea of an urban oasis.
“It was important to be playful,” explains the architecture studio. “It’s not a serious building but rather an enchanting one that (hopefully) evokes pleasure. It’s not prescriptive or trying to replicate local architecture.”
On the exterior, it features a variety of plaster finishes, handmade tiles, and local terrazzo in the communal spaces, including the entrance wall defining its presence on the street. Brass highlights denote the transitions between different spaces, from the street to the hotel and from public to private spaces.
Built on three levels, this hotel has a traditional hammam, designed in local marble and tadelakt, a typical Moroccan coating. An ideal spot to relax after a visit to the Yves Saint Laurent Museum.
Lisa Agostini