After Lee Bae’s charcoal “contemporary cave” in 2015, Shouchiku Tanabe’s monumental bamboo tree in 2016, Min Jung-Yeon’s bewitching birch forest in 2019, and Daniel Arsham’s Zen garden last year, it is a celestial landscape of dandelion egrets, all poetry and lightness, that Duy Anh Nhan Duc has unfolded under the dome of the Guimet Museum. An immersive landscape through which to drift like an initiatory journey.
