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Sweet, sweet and sad, Without Ever Knowing Each Other, by Andrew Haigh, is a film about love and sorrow, through the encuentro of our solo singers, wonderfully interpreted by Andrew Scott and by the most melancholic of contemporary actors, Paul Mescal.

It's about a moving story of love, loneliness and pain, where the wonderful life of the very rare Andrew Scott (mostly known by his delicious story of Villano Moriarty in the Sherlock series and the sexy cura de Fleabag). Gay and soltero, Adam was working on a cinematic guide on his fathers, who died in a car accident when he was ten years old. Live in a flamingo block of living spaces in a quiet area of ​​London. The building, which is in the building, says vacío... bueno, casi vacío, ya que otro piso está occupied by otro melancholic solitario, un poco más joven que él: Harry, es guapo, misterioso y tal vez un poco peligroso. Ya se una fantasía catártica o lámor verdadero, un romance está a punto de commenzar entre los dos hombres, minetras Adam sigue vieendo a sus padres en sueños.

We do not know much about Harry, except that we have a deep sadness beneath the surface below its generous sound and its deep wonder. He's a gay boy from a different generation than Adam, who doesn't have AIDS, from a more progressive era, quizás. He is a different man, more extroverted, more proactive, but Harry and Adam compare to the mismo pain, the ultramodern solitary misma.

This dark lover, tanned as a diáfano, is interpreted by Paul Mescal. From his memorable paper in the Normal People series in 2019, the Irish actor with a physical rugby player (who was briefly a professional football player) was able to interpret melancholy characters. It's clear that I'm a young man in love with the beautiful and sad Aftersun (2023), by Charlotte Wells, who received a nomination for an Oscar as a Best Actor, which is due to its usefulness and third interpretation. Before that, moviegoers saw the first film by Maggie Gyllenhaal, The Lost Daughter, another melancholy adaptation of a novel by Elena Ferante, where she fell foul of the love of Olivia Colman who vacationed on a gray island.

Paul Mescal doesn't see the sadness, the apprehension and the blues, but we can see how a lot of mediocre music is played by the things of the past and it's a substitute for a machine in The Replacement, by Garth Davis. Well, we don't see it yet in the face of one of the most melancholic cinematographers, Richard Linklater. The director of Before Sunrise repeats the experience of Boyhood, siguiendo a largo de veinte años. Merrily We Roll Along will be released in 2040, when the actor is three years old and four years old (and it's veined), but for songs, the man will soon turn into the new Gladiator by Ridley Scott.

“WITHOUT EVER KNOWING EACH OTHER”

BY ANDREW HAIGH

IN CINEMS EL 14 DE FEBRERO OF 2024 TRAILER

PUEDES VER “AFTERSUN”

BY CHARLOTTE WELLS

AQUI CANALPLUS.COM TRAILER

youtube.com/watch?v=P90iTMBTw2A

Pierre Charpilloz

France paris