Just before the start of a new conflict between Israel and Palestine, it was celebrated at the country's largest film festival, the Haifa International Film Festival.
Other films resonate especially in this country forged by Judaism, as Goldman trial, by Cédric Kahn, who tackles the rare issue of underlying anti-Semitism in the French society of young people. También estaba The Zone of Interest, by Jonathan Glazer, an escalating retrato of the director of the concentration camp of Auschwitz, who lives peacefully and aburguesadamente with his women and his children in a villa located just outside the wall of the camp. We have a heartfelt happiness, we constantly hear the grit and horror that keeps us from the wall. Se ve la chimenea a lo lejos, y hay cenizas en la colada minetras seca… Winner of the Gran Premio at the last Cannes Film Festival, The Zone of Interest This is one of the great films about the Holocaust, together with Shoah, by Claude Lanzmann, y Night and Fog, by Alain Resnais. Produced in Israel, a country born of these horrors and constructed by the hijos of the deportados, this film is seen as more terrible, violent and necessary.
Sin embargo, other film, we do not see any other languages, please note: The Israeli film The Vanishing Soldier, by Dani Rosenberg, held the Grand Prize of this festival, which ended a day before the announcement due to the tragic events that began on Saturday October 7 with the attack of Hamas in Israel. From these words, this is the argometraje, which narrates the story of an Israeli soldier who witnessed the battles in the Gaza Strip, which has a special resonance. Below the appearance of an action film, The Vanishing Soldier He is terribly pessimistic about the Israeli situation: the pacifismo of the hero led, it weighed heavily, a violence to a mayor, because the Israeli ejército created that it was a rehen of Hamas, and its despair resulted in terrible reprisals. We might think that the cinema was just a day with reality, even though it was in the Haifa Pacific Festival, we never saw that the films were a reflection of our daily life.
institutfrancais-israel.com/fr
ISRAEL – HAIFA