[wpml_language_selector_widget]

CLAUDE BATHO & ERICA LENNARD, THE ETERNAL FEMININE

France - Paris

A foggy window, an umbrella hanging from a cracked wall, a basin of wet laundry, a little girl asleep on a bench... all simplicity and strangeness, Claude Batho's photographs express the poetry of everyday life, that of common objects and household chores.

Claude Batho - Courtesy La Galerie Rouge

Enhanced by black and white, individualized by tight framing and theatricalized by the use of light - light of the purest purity - these objects are almost allegorical. The mirror reflecting the father's face, blinded by the light streaming in through the window, evokes absence, as does the misty window (reminiscent of the work of Czech photographer Josef Sudek 1) - which can also evoke oblivion or reverie. The photograph of the little girl standing in the doorway of a corridor, surrounded by broomsticks, is disturbing in more ways than one, and recalls Dutch interiors painted in the Golden Age, while the wet torso wrapped in Le Rideau de douche, photographed in 1981, inevitably evokes Erwin Blumenfeld's famous Nu sous la soie mouillée (1937). 

Allegories

All simplicity, but also all modesty and gentleness, Claude Batho's photographs are also something of a memento mori, evoking a certain melancholy. "These photographs [...] are filled with the passing of time, on children, people and things. I wanted to make very simple moments sensitive, to retain the silences...", as the photographer who published Le Moment des choses in 1977 might have said. 

Erica Lennard - Courtesy La Galerie Rouge

As for Erica Lennard, it was on portraits of women (her sister Elisabeth, friends and women she met and admired) that she concentrated, from the age of twenty, during the 1970-1980 years. Her photographs are equally poetic and elegant, revealing the same sharpness and gentleness of gaze. An enveloping gaze that, with sensuality and modesty, surrenders silhouettes and faces to the light.

Erica Lennard - Courtesy La Galerie Rouge

Photographed in romantic settings that foreshadowed the garden photographs Erica Lennard would become famous for, these women are not photographed as "objects of desire", but as living, luminous, mysterious and radiant beings... A beautiful ode to women... by women. 

  1. 1896-1976

"Claude Batho & Erica Lennard - La Vie des femmes"
La Galerie Rouge
3, rue du Pont-Louis-Philippe, Paris 4e
Until September 23, 2023

STÉPHANIE DULOUT