The French photo that I live in London tells a visual story of vintage aesthetics and colors that ask questions of identity, the perception of it and the representation of what it gives.
The retro world, the pin-up, the rockabilly, the beautiful art, the Hollywood glamor and the cinematic narration with sound and cavalli of battaglia di Elisa Miller. From this attractive miscela emerges a photographic opera that immediately captures the eye through the elaborate decoration, the intense colors, the loving light and this vintage and retro aesthetic.
The French virtuoso, born in Paris, has always learned to take photos, entertained her teenager with a photographic machine she used and gotta. A desire for all the fine people who were audited to London in 2017 must begin to experiment with me, have a career as a pin-up model for a vintage car market and a vintage car competitor.
Oggi, colei che si è è èvoluta nel mondo del rockabilly esplora la psiche femminile sotto l’occhio cinematografico. Like the series “Silence”, she puts in scene female characters inspired by the film of the legendary Hanno, starring Georges Franju, Alfred Hitchcock, Wim Wenders and David Lynch.
The original story is “the question of identity, the perception of it, the effect of social pressure on the diet and the mask”.
Curare gli stati d'animo
La sua giovane traiettoria è stata quicklyamente premiata con numerosi premi, com i recenti premi People Photographer of the Year agli International Photography Awards nel nel 2021 e Art Photographer of the Year al Px3 nel 2022.
Across “The Other”, Elisa Miller invited us to consider in our capitol the minimal possibility of expressing our true truth within society, the familiar and our own unit.
Says Jean-Paul Sartre with his quote “L’inferno sono gli altri” and the fascinating feminine saggio La mistica della femminilità (The Feminine Mystique) of the icon Betty Friedan (1963), giornalista, activist and voice of the desperate housewives.
I am sure that the image is there because the idea of pottery is expressed freely, and it is super limited and does not reveal the heart of the adventure in my life.
The auto series is happening during the 2020 lockdown. When you introduce the scene of natural death, you do not have to worry about isolation on the phone as one contact. A mode to adjust the viewer to the image, exploring the possibility of a double that does not protect the public.
“The Many Faces of Marie”, with Marie-Antoinette as a model and her gray hair syndrome, caused by the stress of the patient, “Like someone in love” and the new series “Dolly's Diner” continue to be the type of Scandiscono that evolves interiorly, mentally and artistically.
London – England
https://elisamillerstudio.com/
Nathalie Dassa
