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If you have a silent year on 2020 and a limited edition on 2021, it will be in high condition if it is received in the 53rd edition of the 2020 edition. Arles photography meetings. The 2022 edition is a little disorientated and complex, with a powerful and deep communication, with much exploration and experimentation. The publication of Acumen rivets the moment of the festival through images, performance, photography and uncontested.  

You'll begin with Babette Mangolte and the movie “Catturare il movimento nello spazio”. Negli anni Settanta, he regista and experimental photography, based in New York, has documented the coreographic scene and performance of the city. 

Photographing the body in motion, the artist puts into discussion the atto stesso del guardare. 

Appassionata di theater e cinema, Babette Mangolte recounts her story through her photography. Because of your photography, the sensation of a first and of a photo is due to the fact that it is still present to assist you, to discuss it and to present it if it is present in our eyes.  

A “eye-camera” – when you use the word with a better definition – when it oscillates across various artistic universes, the photo enters one of the testimonies favored by this world in two changes. 

INCROCIO

Another moment of emotion: the opera of the artist Katrien de Blauwer and the most recent film entitled “The photo does not appear to be true”. 

Attracted by my photos, the artist, born in 1969 in Belgium, has a personal story that is almost anonymous, with a deep intimacy.

Maestra nell'arte del “taglio”, l'artista raccoglie immagini da vecchie riviste che poi ritaglia, ricicla e distrugge ea cui dà new life, come per infondere nuova linfa ai luoghi comuni. The collage operates a sort of universalization, taking into account the impossibility of identifying with a single individual, purely allowing for interpretation of the story. Sta a ciascuno di noi vedere il proprio…

GRAND ARLES EXPRESS / AIX-EN-PROVENCE

There are 40 shows organized in Arles, and visitors can take 15 shows on the wall of the Grand Arles Express. The “Silent Language” feature is one of these. 

With a fifth of the iconic works of the XX second coming from the collection of the European House of Photography, most of us hope for a variety of relationships that exist between the photo and its model. 

Faced with intimate photography, favored by collaborators, commissioned and personal images rubate, most of you faced various photo appreciations in the representation of the Altro. Lungi dall'essere un adventure solitaria, il ritratto impone un incontro. 

“The Silent Language” is one of the most popular stories by Diane Arbus, Nan Goldin, Robert Mapplethorpe and Man Ray. 

WORN OUT

In this case, you can see the spiritual guide path, which is why you should be able to observe the photographic artist of the Off-Road who loves it in the same way as the body. 

Founder Gil Rigoulet, he started his career as a photojournalist and he started, in 1984, he was the first official photo of the daily newspaper Le Monde.

During my thirty years of activity as a photojournalist, if I am dedicated in parallel to a more personal photographic profession, concentrating on my diverse body of work, I have acquired and lived in motion, or all of my personal life.

One of this series has attracted our attention: Molitor (estate 1985). Unendo scatti colorsati and artistici a un'estetica ultra-elegante, ci immersed in a bagno di libertà, in this very funentato mitico, dove si riuniva la elite parigina.  

Cigarette, costsumi da bathno attillatissimi, corpi coreografati: ancora oggi le fotografie testimoniano il vento di libertà che soffiava su una gioventù gioiosa et indisciplinata.

This photo is also authoritative in white and black by the artist Victoire Orth. In the Body to Body series, made with a specchio in a man and a cinematic film, the image is discussed in discussion of our vision of the body and of women, safe and codici.

Another artist of Nereis Ferrer, a photographer of Spanish origin for the quality of photography, second to the word of the artist, must be in conversation.

The riveting photo is intimately morbid, pure and poetic. 

https://www.rencontres-arles.com

Melissa Burckel