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Elogio della morbidezza di Carsten in der Elst

It is the occasion of the last edition of “3daysofdesign”, an important Danish design pride that the designer of furniture and art by Carsten in the Elst has presented the first edition of “Soft Works” in the gallery of the painting in the heart of the Scandinavian capital. As the name suggests, this installation is a morbid innovation, at the office. To achieve this, the creative activity of the Colony is dedicated to more than just the rice, with some indolent materials. Ricerca che ha messo in practice in the world of interior design through a mostra presented in Copenaghen. The result? A sillabario of materials that are natural, synthetic, temporary or permanent, dry and intact. A few questions about our relationship with comfort, with the consistency of the material, but also with the contact. When it comes to programming, the traditional imprinting process is one that favors the morbid. The sound is maintained only when it is evident that it is malleable. Following the more surprising realization, we made the “Aluskin” couch in aluminum and rubber, owner like the white pole, the seat in wood fiber and lattice, but also the incongruous “Accession Chair” riveted with lattice tubing. Alcune, che suggeriscono l'effimero, sono richche di poesia, comme le sedie e gli sgabelli en sughero i cui contorni si sgretolano e comme la lampada di cera che sembra sgretolarsi.

https://inderelst.com/

Lisa Agostini

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