The main figure of geometric abstraction, precursor of minimalist art, but also of interactive art, of the number and the azar, of the curve and of the front angle, of the order and of the disorder, of the lunatic geometry and of the random distribution… as is François Morellet (1926-2016), un breviario del arte contemporáneo en si mismo. Armed with shields, annuarios, neon signs and a good dose of humor and fantasy, broken by the molds of the romantic world of creative subjectivity and, según el arbitrario, impuesto por siglos de academicism…
Concebir la obra as a mental and visual space, but also sensual, sonorous, olfativo…, capable of “sacar al spectador de su dependencia apática que le hace acceptar de forma pasiva, no sólo lo que se le impone as arte, sino todo a sistema de vie ¹ “, nos hace bien… Y, esta obra presentada en medio de The contemporary pieces, assembled by the owners of Château Chasse-Spleen, are a complete steel…
- Grupo de Búsqueda de Arte Visual (GRAV) –, “Enough of mystifications”, Oct. 1963
“François Morellet at Chasse-Spleen”, Castillo y centro de arte Chasse-Spleen
32, Chemin de la Razé, Moulis-en-Médoc
Until September 30
Stéphanie Dulout