It is possible for a shovel to be exposed to the light of scale and skin of a foreign body. It winds and the civetta, simboli ctonii all'incrocio tra il mondo umano et quello sotterraneo, quello notturno et quello diurno, portano con se le radici del mondo ei miti di un tempo remoto, and dialogano faccia a faccia con i body bianco perla and rosa vellutati della fessura madreperlacea di una conchiglia… Ci troviamo All our history begins with Australian photography Petrina Hicks.
Posted to the international community and presented in a number of private and public collections, the photograph is preserved in analog material with originality, as a classic picture painted with precision for its opera. At first sight, fluid curve, body attillati and safe distance or masking diet and loro occhiali smoked creano esseri dai sensualismi fluttuanti, espressioni impassibili, movements frozen. Since its debut in 2004, the photography of Petrina Hicks richly embraces the ancient tradition of sculpture. Clean, a magical aura emerges. The Unbearable Lightness of Being, The Gaze, Fly through the candle like a singless moth… Is this series not the first word of a psychological story? What are some sculptures that include a human and an animal that captures a chimerical imagination? The seduction of fun and diversity invites dialogue. The photo bears the imprevisto of the body, at the limit of the beauty, when the perfection allows it to remain alive.
Petrina Hicks
Presentation from the Micheal Reid gallery
Ana Bordenave
