Ibridano the liquid element and the organic form, beautiful my pericolose spesso. The dual nature of the world is true of our humanity, when the perfection of the world makes nature beautiful.
This is when you have a cumulative view of the Persian house when it is pictured in the building abandoned by Kate McGwire who has seen the idea of consuming this material. Sono passati quindici anni. The adventure began with the collection of eternally renewed pieces of wood, from the alleviation of piccioni like cacciatori, the artist used only the ornaments of our countryside, in the splendor of nature. Prepare carefully, carefully select your dimensions, shape, design and color. An impegnativo lavoro, solo una piuma per ala a volte responds to all the rich characteristics. Like a painter, the artist composes his tavolozza. These shades allow you to accentuate the shadows and the light to light it up and to light it up. Accentua così le contortioni di un boa di piume d'anatra imprigionato en una gabbia di vetro, scava le prospettive di un tappeto di piume di fagiano inspired by what Robert Adam at Harewood House, where the movement of a sea of piume di gazza che scorre pacificamente en un quadro o scaturisce da finestra. Acqua, which accompanied him at the end of his childhood, is one of his main sources of inspiration. Don't think about beauty, but I'm sorry. What is the dual nature of the background if it is also in an organic, animal and human form, and it is not espresso if it has two senses, it gets new light on its operation. If it travels intuitively for your creation when you speak to our unconscious, individual and collected and deepened sense of our safety. The libridazioni sottolineano the community of the perfect form creates in the nature, of which it is interpreted. With Kate McGwire, the universe entered a world.
Kate MccGwire presented by the Calvary Girls Gallery
17, rue des Filles du Calvaire, 75003 Paris
From March 26th to May 7th.
Kate McCGwire, editor Anomie Publishing, 2021, English, rilegato, 200 p., 140 illustrations, 31 x 24 cm
Sophie Reyssat